After Bayard Taylor the next great commentator on the phenomenon of hashish was the irrepressible Fitz Hugh Ludlow. This little-known bon vivant of nineteenth-century literature began a tradition of pharmo-picaresque literature that would find later practitioners in William Burroughs and Hunter S. Thompson… There is in Ludlow’s cannabis reportage a wonderful distillation of all that was zany in the Yankee transcendentalist approach. Ludlow creates a literary persona not unlike the poet John Shade in Nabokov’s Pale Fire, a character who allows us to see deeper into his predicament than he can see himself. Part genius, part madman, Ludlow lies halfway between Captain Ahab and P.T. Barnum, a kind of Mark Twain on hashish. There is a wonderful charm to his free-spirited, pseudoscientific openness as he makes his way into the shifting dunescapes of the world of hashish.